He's behind you!! Pantos - Mother Goose at the Salisbury Playhouse

The stage was set for Mother Goose Panto at Salisbury and I was completely entranced the entire time.

For those who have never seen or heard of a panto, let me share a few insights and historical facts with you.

Its a purely British institution performed around Christmas time. Though often there are celebrities as the star act, it is not a must. Based on the Italian comedia dell'arte, its slapstick and physical comedy rolled up with bawdy banter, songs and dance, often with a local twist and often referencing television or cultural events from the year. 

What really sets it apart from 'normal' styles of theatre is the audience participation; something that I doubt would work or occur anywhere else in the world. Most characters have a key action or word that they illicit a response from the audience with.  Everyone knows that when the baddy comes in everyone boos and hisses. When a character begins an argument with "Oh no I don't", the audience yells "Oh yes you do". Other instances include characters hiding and only the audience can see them, yelling " They are behind you!" and sighing and sympathising when a character is poor or is having a bad time with "Awwwww".

Pantomimes run along a set storyline with a dame, who is normally very poor (and played by a man) with a young man ( played by a woman) who has a love interest. There is a battle of good against evil, with a moralistic message, culminating in temptation and good finally triumphing, ending with a wedding or a party.  Other ingredients include a 'messy' scene where two or more characters get extremely wet or messy with gags on the audience of fake buckets of water.

Pantomimes are normally written with risque lines so that the adults in the audience have a good giggle and the kids are none the wiser.

Reflective of the Greek and Italian Comedia Dell'arte performances, the 'good' characters enter the stage on the right ( symbolising Heaven) and the 'baddies' entering from the left ( symbolising Hell).

I particularly enjoyed the slapstick humour and the nod to the Laurel and Hardy skit of the wallpaper glue. 

Character performances were strong, comedic timing was smooth and practiced and best of all, the actors looked like they were enjoying themselves, rather than running on automatic. 

A huge thank you to Sally who surprised us with this kind gift of tickets to see this wonderful performance and introduction into a very special British institution.